The Chilean desert is one of the best places in the world to view the stars. From there you can see not only the rings of Saturn (using a good telescope), but also Andromeda - the galaxy closest to the Milky Way. This is only possible in the Southern Hemisphere.
Viewing these spaces, you contemplate the hundreds of billions of stars that make up each galaxy, and our infinitesimal place within the universe. ‘Really, we are nothing’ said my guide to the local landscape the Lunar Valley, ‘Maybe as a whole, as the human race we are something; but as individuals we do not amount to much.’
His comments related both to the stars and to the hundreds of millions of years it took to forge the grand rock formations that were the subject of his tour. Everything about this region suggests a scale that surpasses human understanding. ‘To the Andean people who lived here before the Spaniards came, this landscape was not very important, it was just where they lived.’ Here too is scale.
Five centuries have passed and while the unique cunza language of the former locals has gone (all but a few words, and no understanding of the grammar), a few forms of non-spoken language have persisted. The grandparents still perform rituals that have been going on for centuries. At the beginning of spring, at Pachamama festival, they and their children direct their energies to mother earth so that the earth will work with them for a good harvest (yes there are crops in the region). Yes, from a scientific perspective it is pointless, but from a human perspective it is not without worth - it honors a continuity with their ancestors, and it renews the relationship which each of us has with the ground beneath our feet.
My guide was complaining that the next generation were watching the same cartoons as everyone else in the world (when I visited the supposedly isolated village of Iruya in Northwest Argentina, a cafe was showing the Simpsons). The rituals were appearing in their textbooks and they showed little interest in keeping with them. The past was becoming another story like the one I have been telling you.
(TV and the internet are far more stimulating. Why are you reading this?)
Tourists like myself come away with a different story - did you know that southern Bolivia, northwest Argentina, the Atacama desert are rich with a concentrated diversity of fabulous landscapes? Our eyes feast on the light of the sun as it shimmers across the rainbow-colored mountains, salt lakes, subtropical forests, sand dunes, etc, etc. We want to have our cake and eat it - see the place but also hope that the locals retain their traditions. We embody the millennia-old tension between continuity and advancement.
Is it an advance that so many people appreciate this landscape in a way the locals did not notice? In New Zealand I was told by many - you get used to it and you don’t notice the beauty anymore. New Zealand is working hard to restore the ecology of its fjord lands and its mountain peaks (a sign on Ben Lomond asked visitors to forcibly tear out any wilding trees that they saw shooting up - they’re a European invader) and also selling jet-fuelled adventures up glaciers (‘It’ll be the highlight of your trip.’) Everywhere, everywhere I travelled I saw this contradiction.
What you really learn from traveling through five continents in five weeks is:
a) There’s always more to see.
b) You’re a tiny fleck in the vast sea of humanity.
But a) and b) are hard to reconcile. The children want more Simpsons, more Spongebob, the elders and the nostalgist visitors want to retain the uniqueness of different locales on our planet. ‘They’re destroying what makes people want to come to their region in the first place’ (one fellow traveller told me about south-east Asia). One traveller to another: ’Did you get to Lombok? I didn’t like Bali either - too crowded with tourists - but Lombok was really something.’ Me, overhearing: ‘Isn’t this happening the world over? The place that was good to visit becomes overrun, like gentrification in the cities’ ‘Yes, and trip advisor is making it worse’ ‘It’s accelerating.’
Unlike the stars which retain their distance, and are governed by unchangeable laws, we are constantly changing our path, following the feedback loop left by guides and other tourists to improve our experience, and rewriting our story to make it better. We tend to think of our selves as the epicenter of our universe with the lives of others appearing as a constellation around our own.
For many of us, changes to this constellation are an inherent feature of modern life. Long gone are the days when we lived in a persistent community living out the same rituals and habits year after year, under the same stars. Instead we tend to anchor our lives in love - the aspiration to form a binary star with another person whose mutual orbit with one’s self will become the stable centre of a family. This will in turn become the basis of future generations.
Thus, through love, we become a little bit more than nothing; we become a little bit closer to the permanence of the stars.
It’s important that future generations keep an eye on the stars - that the word does not just degenerate to associations with celebrities and ratings. Though we no longer navigate by the stars, they help us gain perspective on our little place in the universe.
Monday, 17 August 2015
Saturday, 1 August 2015
Escaping the Cemetery
The grave's a fine and private place
But none I think do there embrace.
-Marvell
Recoleta cemetery is a captivating yet strange place. This is partly why it's one of Buenos Aires's major sites. As a tour guide said earlier today, the cemetery encapsulates a certain aspect of the city - its mixture of elegance and shabbiness, arrogance and humility; its death-defying extravagence and vulgar populism; at times, its shifty psychology.
Not that it's the only cemetary with highly crafted mausoleums, but it seems to represent a particular irony. The irony is the uncanny gap between the grave's intention (to commemorate a person) and its effect. Like most tourists, I forget almost all the names within seconds of having seen each tomb; what lasts is an aesthetic impression that tells little about a person, or suggests a very different impression than was intended. The generals' tombs seemed particularly overblown and suggestive of an overly egotistical character, not of the careful judgement that characterises an effective general.
And these are not the only ghostly figures haunting the city. For example, there are still a number of monuments to Peron and Evita - two theatrical figures who used the political stage to enchant the masses and suppress dissent. To some extent, Evita brought 'social justice' to enhance her own ego - with some very positive effects (women's liberation; nurses; more universal education) and some very negative consequences. Any good student of the twentieth century should understand that the term 'social justice' has often been manipulated to enforce aggressive top-down control over society in the name of the people. The uncritical stance towards Evita suggests something very worrying and oppressive about the way the name of Peron is still used to manipulate and distract voters from deeper problems.
And these are not the only ghostly figures haunting the city. For example, there are still a number of monuments to Peron and Evita - two theatrical figures who used the political stage to enchant the masses and suppress dissent. To some extent, Evita brought 'social justice' to enhance her own ego - with some very positive effects (women's liberation; nurses; more universal education) and some very negative consequences. Any good student of the twentieth century should understand that the term 'social justice' has often been manipulated to enforce aggressive top-down control over society in the name of the people. The uncritical stance towards Evita suggests something very worrying and oppressive about the way the name of Peron is still used to manipulate and distract voters from deeper problems.
For me, another set of ghosts hover over the city. In 1905/6 my great-grandparents fled the pogroms and SDP movement in Russia and joined the Jewish Colony in Argentina, where my great-grandfather became a law lecturer. My grandfather was born on the road to Buenos Aires (he tells the story of 'how the crocodiles attended his birth' vividly in a book he wrote on his early life). Within a few years, my family would leave for Israel. But I can't help but think it was a propitious time to see Argentina - near the peak of its glory years, when its growth rivalled the US. Over a century later, that dream has faded into the nightmare of prolonged economic instability. My family at that time saw Argentina at close to its greatest success.
Then there is the ghostliness of being a tourist. I've felt this most acutely in the past few days due to having far fewer companions than in Turkey, Japan or New Zealand. While many people have about as much English as I have Spanish (very basic), it's rare to find a fluent speaker or someone more comfortable in English than Spanish. Consequently I´ve felt more lonely in a place which thrives on company (hence the poem quotation above; another profound line that I think of is W.S. Graham: "this is always a record of me in you."
'Record' suggesting not a direct communication, but a copy of a past inscription by me to you. The line comes from a lonely, remote place.)
After all, border control make it a condition of entering a country that your stay is temporary. Your existence as a tourist is supplementary to the ordinary inhabitants of that place. You are an observer who can take part to a limited extent but no more than is allowed by the length of your visa or your ability to adapt to the native approach to life. There is the pleasure of imagining the possibility of living in that country without the burden of having to adjust to that particular society's demands. It's very fun and I deeply appreciate the privilege of the experience. But in all the pleasure I also confront the fact that most of my activities have been done by thousands of tourists before me. I record in me my own version of other people's experiences. I can then relate that to someone else, such as you the reader. In a very different way to Graham, it is a record of me in you.
Buenos Aires is a strange place. For example, Palermo Viejo is a very funky area full of cafes, restaurants and bars, music and literature, drink and laughter. But in its clean, vibrant fun, it seems somehow hermetically sealed from the more down-at-heel side of Buenos Aires, the city of 13 million where many struggle to make a living. Like most tourists my main concern is profiting from the fun.
I find another line of poetry ringing:
I find another line of poetry ringing:
I have learned not to look down
So much upon the damned.
Evita and Peron let in Adolf Eichmann, a man whose role in the intellectual life of the twentieth century encapsulates some of the deep paradoxes at the heart of Argentina. They let us Jews in too. Everybody´s welcome as long as they bring the dollar* and leave when we tell them to. No terrorists please.
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*Dollars are one of the shiftiest aspects of Argentina. The official rate is 9.09 pesos to the dollar; the blue dollar rate is 15 pesos to the dollar. Everyone recognises that the official rate is a convenient fudge that prevents economic chaos but it really makes one think about what money is and what makes it worth x rather than y. Just like many things in Buenos Aires, the value of the peso is not what it seems. Our guide today said: don't trust Argentinians, including me.
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*Dollars are one of the shiftiest aspects of Argentina. The official rate is 9.09 pesos to the dollar; the blue dollar rate is 15 pesos to the dollar. Everyone recognises that the official rate is a convenient fudge that prevents economic chaos but it really makes one think about what money is and what makes it worth x rather than y. Just like many things in Buenos Aires, the value of the peso is not what it seems. Our guide today said: don't trust Argentinians, including me.
Sunday, 19 April 2015
Benjamin Bear and Emily Rabbit in Time Travels
An
Homage to Philippe Coudray
Once
upon a time there was a bear and a rabbit. They lived in transatlantic Lon Ny
land. Bear loved poetry and rabbit loved children’s books.
One day, bear
and rabbit visited the Poetry Library in Lon, and rabbit was reading a
children’s book journal when she stumbled upon the magical comic-book world of
Philippe Coudray. Suddenly she realised that bear was Benjamin Bear of whom
Coudray had written so much. Benjamin Bear (BB) is a paradoxical thinker who
could find ingenious solutions to fuzzy problems; but sometimes he got a bit
confused by reality. Not long after, bear named her Emily Rabbit (ER) after BB’s
friend in the books.
Not long ago,
Benjamin Bear and Emily Rabbit went to the Antiquarian Book Fair in the ny part
of lon ny. There they feasted their eyes on fabulous books from the distant past.
The Botanica
stall showed beautiful pictures of Californian nature from the 20s and 30s,
reminding Emily Rabbit of mum and home. A map stall displayed a colorful 1650s
pic of the Americas (wow – all the major American cities like Cartagena and
Cuzco), the first geological map ever (of Southern England) and a unique metal
pocket globe. Bear and rabbit adored the Dickens-enalia. Bear got interested in
a first edition of Finnegans Wake, and the recovery of Greek texts after the
fall of Byzantium by Venetian Italians. And Emily Rabbit found a few children’s
book stores, even discovering Alison Uttley’s The Adventure of Hare.
When the fair
was over, Benjamin Bear and Emily Rabbit got on the down-world train so they
could escape intensity city (once known as mannahatta, its verticality and fast
pace is anathema to rabbit) and find some of Benjamin Bear’s goodies in
alternative city (once known as breukelen after the dutch).
Emily Rabbit
said:
-Bear, I’m
tired.
To which
Benjamin Bear responded:
-I know, Rabbit.
I wish we had Brigitte here so she could put us in a comic book called Benjamin
Bear and Emily Rabbit in Time Travels. Then you’d take me to the Victorian
period and we’d meet Dickens, and I’d show you their Gothic interests, and use
that as a portal to take you to the Medieval period.
-Oh bear, that
would be so good; but the weekend just isn’t long enough to go on such
adventures. I wish there were just more time…’
-Rabbit, that’s
it! You’re brilliant.
Bear reached
into his pocket for the Infinity Device (Infinity! after the infinity of the
internet, phone calling, etc) and began plugging away. After some time, Bear
showed Emily his idea.
Emily Rabbit was
amused. Bear had opened a calendar, but unlike any calendar you ever saw. Every
week had eight days. Yes, eight days. That’s forty-five and a half weeks in a
year. And three days of weekend.
-See Rabbit!
Even though we’re Jewish, we don’t have to follow the abrahamic calendar. Was
it the Incans who developed that amazing calendar based on the sun AND the
moon?
-No Bear, it was
the Maya.
-Oh right – a
great Mexican invention! Delicious food too. The Milpa field and all that.
Anyway they showed us the way. Since when do we have to adopt the seven-day
calendar?
-Oh bear, if
only. I think there should be one day for resting, one day for errands and one
day for adventuring. But why do you want to change the week? I think it’s a
myth that the five-day working week is good. I would do it so much better if I
only had a four-day week.
-Emily Rabbit,
that would make it hard for me when I become a lawyer. How am I meant to fit a 55
hour week into just 4 days? That’s too hard.
-Bear, I wish
there were more hours in the day. You yourself said that the studies have shown
we are built for 25 hour days. You can’t argue with that.
-Yes, rabbit.
But then I wouldn’t just have to change the laws of this country, but the laws
of this solar system!
-OK.
Bear, take me
away to the land of the Working Time Directive…
Yes, Rabbit –
that’s the only way our time will travel together.
Saturday, 11 April 2015
Rivers
Living near a river is
a source of great renewing pleasure. Letting your eyes run along the lapping
waves, water threading in and out, in and out, is to move your mind from the
flux of its own consciousness to the flux of more eternal matters.
(To any of my tutees
reading this, I recommend wandering down to the Thames every so often to calm
the mind between revision sessions.)
Rivers have inspired
innumerable passages of fine writing and even fine cinema. I could probably
write a small book on rivers; but don’t worry I won’t bore you with my essay on
how Renaissance river poetry documents the gradual transfer of power from court
to the country’s active citizens. Instead I’ll concentrate on just two small
works by my favourite living English poet Alice Oswald.
Dart (2004) is one of the most democratic English poems to have appeared in
recent years. Oswald recorded conversations with people all along the river
Dart. She then crafted a voice for the river which interacts with and channels
phrases and statements from the recordings.
The book is a delight
of mobile form and living scene. Rather than adopting a repeat form, she makes
each segment’s form responsive to its content – quatrain; short-line;
prose-poem; etcetera. The scenes dart from near its source – meet mythic
boogeyman Jan Coo! – to bathers diving on their Sunday off – to the sewage-men
and hardened crabbers at the estuary.
Her other book on a
river is A Sleepwalk on the Severn. Whereas
Dart is about the river in daytime, A Sleepwalk is subject to the moon. It’s
a short work but captures an ethereal perspective on English life – starting
with a dispute between an amateur birdwatcher and fisherman, and moving onto
images such a crowd rushing to see
a moon so powerful that it shifts large tides on the river (“like the
interstellar cold come suddenly into the world”). It’s riveting, and surprising on a reread.
When I came to see her
after a reading of Memorial, I asked
Alice what she was working on next. She said: “A dictionary that undefines
words.” Her answer was characteristically unexpected. It takes a very sceptical
mind to undermine the very grounding of language in this way, in a manner as
contrary to a lawyer’s work as can be. But on further thought her proposed
dictionary is much like the river, removing the ground material that we take
for granted and moving it in an unexpected direction.
Thursday, 5 March 2015
The World of Nature in Man
I have never met a person who is displeased
by green spaces. As a species, we take great pleasure in making gardens and
parks. An extreme example is Los Angeles, a city hundreds of miles from a major
clean source of water. To make the city, water was stolen from the Colorado
river and transported all the way to the coast. Yet gardens abound in millions
of backyards.
Ethically,
too, mankind has long recognised the care we must take of nature, and the care
we feel from nature. In the monotheistic religions, the story of Jonah and the
tree is instructive. Jonah, abject and abandoned on the shore, is left to suffer
fierce heat. This lasts. Then God makes a tree grow near to him. Jonah feels
the shade of the tree and develops a keen love for the tree and its protection.
The tree dies; and Jonah complains to God for his cruelty in killing the lovely
tree. Thus nature is a pivotal sustaining force in man’s life, ever present as
a source of self-renewal during hardship. All that we eat and breathe
ultimately comes from organic sources.
Yet
as my cousin Ewan adroitly observed, “If outside was so good, why do we make
indoors?” If nature were purely a source of pleasure, man-made structures would
be a bane on our existence. Of equal importance to our continued wellbeing is
security. We need to be secure from the ravages of nature – extremes of heat
and cold (right now, feet of snow fall outside the NYC window); disease, human
and agricultural; natural disaster; and our own waste. Each culture sustains
its own vision of the relation between nature and security.
In
many parts of the world, security is winning out. In China, millions have moved
from centuries-old rural serfdom, suffering the most appalling deprivations, to
the city. In the past 25 years, worldwide poverty has reduced by half – a
substantial portion of which was in China. At the same time, more concrete has
been produced in China in the last 3 years than in the USA in the 20th century.
As a consequence the pollution in major Chinese cities is legendary. A more
destructive impact on nature cannot be imagined – and yet at such benefit to
humanity. Of similar significance is the Electrify Africa Act 2014 – the very
title promises such a massive improvement in the conditions of a billion human
beings.
Discussion
in the energy industry centres around resolving the energy trilemma – how to
achieve sustainability, security and affordability. For example, I suspect that
most eco-warriors little consider that, by prioritizing sustainability and
blocking energy projects, they deprive millions of energy affordability and
reduce energy security (of course the energy companies are to blame, in their
view). Of those who do consider this, they may argue that the current pleasure
of millions is nothing to the preservation of nature for billions in future
generations. I have much sympathy with this argument, though do not find it
fully convincing.
As a geographer
friend at Oxford pointed out, by making more energy and providing opportunities
to more of humanity, we increase the chance of developing a technology that
will solve the energy trilemma. In particular, where energy is scarce, human
ingenuity comes up with new ways of providing it – given sufficient support.
See this video - http://www.ted.com/talks/william_kamkwamba_on_building_a_windmill?language=en.
Moreover, if we are to solve the problems of man-made climate change, we need
the reasoned consent of all world citizens, not just of the privileged few.
This needs energy investment now.
On
the other hand, many uses of energy are just plain stupid. In the height of
summer in Houston, air-conditioning is so strong that you have to wear an extra
layer or two. This is a ridiculous waste. You could hardly put nature at a
greater distance than making wintery conditions in summer.
The ethics of
using energy in other instances is more complex. Consider Wang Jianling who
began his career installing toilets in Chinese apartments – a major benefit to
the health of the Chinese. He thus extracted our own undesirable natures from
our dwelling places. Now he is a multi-billionaire who profits from building
dozens of Dalian Wanda plazas and shopping malls. Having gone through the
unpleasant business of relieving human necessities, he now seeks ever more
diverse ways to supply consumer wants. This consumes a vast quantity of earthly
resources. But who am I to deny to the Chinese what I have benefitted from my
entire life?
My attention to
the Chinese has a point. The Chinese vision of nature is very different from
our own and it will play at least as decisive a role in the future of our
planet as the USA, and certainly more than the UK. Many (if not all) societies
are having an internal discussion, often a mixture of rationality and feeling,
about what world of nature we would like to see in the Anthropocene age. And
undoubtedly the world of nature in each of us will play a role in the world of
nature we see outside us.
I have to admit
to not knowing any truly native Chinese people. My closest encounter to a
proper discussion was with my room-neighbours in my first year at St
Catherine’s, Oxford (‘Catz’). On both sides I had Chinese neighbours. They were
third years and not very interested in talking with non-Chinese, in
integrating. I felt it jarred with the communal spirit of Catz. St Catherine’s
itself is beautifully integrated with nature. The floor-to-ceiling windows look
out on lawns, moats, fields and trees where swans, moorhens and ducks take
their leisure. The back leads out to Mesopotamia, a splendid natural area.
But my brief
discussion with them about what was weird about Oxford revealed a very
different perspective. They had grown up in southern China surrounded by
millions of human beings. The emptiness of Oxford was to them extremely
unnatural. Their vision of nature was shaped by the norm that being immersed in
innumerable other human beings is natural. Of course the Chinese revere nature
as much as any other society; but their perspective on how we are as beings in
nature is very different from our individualistic, Wordsworth-like sense of the
self alone in the universe.
Given our
current stupid uses of energy, I have little doubt that each society needs to
cultivate a more favorable attitude towards the environment. Some progress is
underway. But a key element to progressing in this direction is to generate
better visions of nature in man and man in nature. We need better rationality
in discussing the tradeoffs of the energy trilemma. We need artists and writers,
marketers and advertisers, in every medium to create myths that will persuade
us emotionally as well as rationally of the sustenance that comes from the
world outside our homes.
Friday, 26 December 2014
Family History 6: Market day in Stryi
One hundred years ago my Jewish grandmother and her many siblings lived with
their parents (the Kerners) in Stryi, Galicia. From 1772-1914, this Galicia was
a semi-independent province on the outskirts of the Austro-Hungarian empire,
encompassing Krakov and Lviv. Many peoples lived there – Stryi’s mixture of
‘Hebrews’ (35-40%), Poles (35-40%), ‘Ruthenians’ (later called ‘Ukrainians’)
and a few Germans was not unusual in this ethnically diverse region. Galicia was very poor, but people got
along side by side.
In the late 19th century, Galicia’s population expanded rapidly. Stryi’s
population almost doubled between 1880 (12,600) and 1900 (23,210). Galician oil
was discovered in the 1870s – the richest European reserves west of Russia -
but the oil was exploited too quickly, running down fast in the mid-00’s. In
eastern Galicia fear of Russian annexation was a more important driver of
peoples. Between 1888 and 1910 there were 260% more
Polish people in Stryj, 180% more Ukrainians, and 100% more Jews.
My grandmother had bad memories of the Polish and Ruthenian nationalists
who came there, many of whom had fascist inclinations. While
in 1889 the Jews had about 63.8% (55,969 hectares) of land in Stryj, in 1902
they had only 20.3%, or 16,278 hectares. The numbers tell the story. Then, between 1914-1918 Russia seized Stryi
twice, inflicting famine. Post-war, Stryi was briefly controlled by Ukrainians
with whom the Jewish leaders sided; then part of Poland whose people reacted
against the Jews. Driven by these political-economic forces, her siblings began
emigrating to New York City in the 00’s and she followed as soon as she was of
a suitable age (16) in 1922. Nationalism, scarcity and warfare drove my people
to the ‘nation of immigrants’, the United States, and to the most diverse major
city in the world.
(Two siblings remained – his fate unknown. In all likelihood he perished
by Nazi or Ukrainian hands.)
Last week, Emily and I saw a wall size photo of Stryi at Ellis Island.
What a surprise! It shows a lively day at the market in 1905.
We can see men and women, Jews and Poles trading together. They are selling hats and coats in the foreground, and many foodstuffs in stalls at the junction. The tradesmen have come far by horse and cart (back-right) to exchange goods at the market. This, for me, is one of the greatest strengths of capitalism – that it encourages people of very different cultures and instincts to work together to get the way of life they want.
Thus capitalism depends on identity, which shapes the form of our wants.
Imagine how sad the world would be if all we wanted was x food, y clothing and
z housing - a fundamental error inherent to communism. Identity also shapes
what we are able and willing to supply – hence historical attacks on Jews for
‘usury’; on women for conducting unsuitable work; on all persons of alternative
identity for not playing servant to the majority identity.
Alas majority identities can warp into the mask of aggressive
nationalism, especially when people are driven by fear and anger at the
lacerations of events beyond their control. Scapegoating and bigotism are
popular nationalist pastimes. No nation is immune. This nationalism is what
ripped the Jews from Eastern Europe and sent them to the USA. (This anger is
driving anti-immigrant sentiment in the UK today – hence the rise of UKIP.)
I mention this in prelude to discussing the caption on the photo at
Ellis Island:
Market day is Stryi,
Galicia, 1905. Over 800,000 Poles from Galicia emigrated to the United States
between 1880 and 1924. Large
numbers of Galician Jews also left for America.
Note that the caption was written in 1990, shortly after Polish
elections dramatically ejected the Communists from power in June and September
1989. It was a key time to affirm the unitary American narrative of all
persecuted peoples being welcome in the US. But another interesting point is
that while there were more Poles in Galicia than any other group, this was not
the case in Stryi. Stryi, at that point, belonged to the Ukraine Soviet Socialist
Republic; it only became Ukraine a year later in December 1991. It was thus
politically expedient to emphasise the Polish and Jewish characteristics of the
region, all streaming towards the ethnically diverse and affluent USA. (Never
mind that USA imposed highly restrictive quotas on immigrants from 1924 – 1940s,)
The US inspires liberty throughout the world! Just look: the Polish, like the
Jews in 1948, seemed to be fulfilling Woodrow Wilson’s old project of national
self-determination.
Yet while this project ensured loyalty from nationalist forces within
these states, it was also a factor in Europe becoming far more ethnically
segregated by country from 1945 onwards than at any time in the past. The
rearrangement of European peoples by the major Allied powers post-war was an
even more important factor. In a strange way, Hitler achieved his objective of
a more ethnically homogenous Europe by driving nationalism to such an extreme
that it was thought that moving people was the best way to silo nationalistic
violence.
Apart from the Balkans, the Galicias of the past were no more. The Nazis
killed almost all Jews who remained in Galicia – including probably the aforementioned siblings. The post-war settlement drove all the Poles westwards
into modern day Poland. Stryi became a heartland for nationalists in the
Ukrainian republic – people who my grandmother loathed. The Soviet Union only
intensified the deprivation of the region – such that it will take a long time
for western Ukraine to recover, if ever, from the corruption and self-limiting
aspirations of the Soviet regime. And without dynamic businesspeople, the rule
of law and well-regulated transactions it will never do so.
Saturday, 1 November 2014
An Appetite for Masks
Masks appear in our lives in many ways.
For some, the mask is associated with the Carnival. By putting on a mask, the carnival-goer sheds his inhibitions and comes into greater unity with his tribal or animal side. For example in Walcott's 'Mass Man', a clerk becomes a great lion; within a "gold-wired peacock", a man; Boysie with mangoes on his chest is Cleopatra! The mask thus serves to transform and reveal an alternative side of our being. Halloween, with its emphasis on witchery and supernatural beings, is perhaps the most recognised white/Western version of this.
For others of a more saturnine character, a mask is a means of social control, of displaying authority in new forms. The fun playful side is the Venetian style masked-ball, which is contiguous with the previous version of masks. But the darker side is the mask of authority, of officialdom: - the teacher who disciplines his students; the policeman who kettles the protestor; the lawyer who stops illegal downloading; the neighbour who, needing a good night's sleep, asks for the party to be shut down. Maybe each of these figures has some empathy with the forces of revelry and freedom; none wants to attract resentment; but each recognises the greater loss that comes with encroachments on civility and order in the public domain. Suppressing their fun-loving side, they impose restraint.
I've recently become fascinated by the theme of masks. I am currently acting with a drama club - something new to me. Unlike my fellow English students at Catz, many of whom were somehow involved in drama, I was never drawn to the stage at Oxford - it didn't chime with my sense of self. This self always sought authenticity in people. It is this same reverence for truth and accuracy that has drawn me to the profession of the law. But in my role as tutor I have come to see that professionalism entails wearing a mask. Sometimes to act in the best interests of my tutees I cannot show them my honest feelings - of anger and disappointment - or must do so only by flashes of lightning that wake them up - and then control those emotions so as to steer them towards a successful course of action. And in applying to become a solicitor, promoting myself as a solicitor, I always found it difficult walking that line between being myself and selling myself as an accomplished professional with whom clients will want to work. I have found participating in the club useful for welding together these sides of my persona.
In the process I have come to realise that any person of ambitions must try on numerous masks before they succeed in life. It is part of growing up. Infants play at fort-da - will mummy pick up my bottle if I push it off? In doing so they take authority of their needs over their carers, and initiate that great process of command-control that ripples throughout our lives in a range of situations where the hierarchy or horizontal relationship between two people is being established. The teenager muses on their future - and plays at being a lover, a public-speaker, a writer, a party animal, a sportsman - each with their own narratives and rules of command-control. The profit-motive instantiates a relationship of procurer and provider: the procurer says I want this and the provider says - of course your wish is my command; the provider must forbear and suppress any rebellious feelings they may have to satisfy the needs of the procurer and obtain their money. In an ideal employment environment, people would move into those jobs which cause them most pleasure and least suppression into a mask; but numerous discussions with friends and familiars shows that this is not always possible, and many end up in jobs they despise and careers they hate. I have made the utmost endeavours to avoid this situation for myself but it has come at some cost to other aspects of my life.
Indeed throughout my life I have tried on masks. My oldest brother made it a habit of his in my pre-teens to make up a seemingly infinite and inescapable variety of names for me (he mellowed as he got older, and I later saw that this obsession of his was a strange sort of brotherly love). Each corresponded with a different aspect of my being; the moment I transcended one flawed vision of myself, he would make up an account for another. It was carnival for him, but somewhere between a strange dream and a nightmare for me. It drove me to excel intellectually, to outmanoeuver others with the quickness and variety of my thoughts, to escape entrapment in a narrow form of thinking. But it came at some cost to my self esteem in other areas of my life. With such bewildering belittlement it could be hard to see myself as having a singular authority. Rather the forms of authority within me existed on a contingent basis in conversations with friends, family, and other familiars, and in my academic achievement.
In my literary, musical and cinematic tastes, I have always had a taste for personae. My brother also introduced me to the joys of underground hiphop. Having been hooked on Eminem, I came to see that there was a whole tradition of adopting personae within hiphop that led to an extraordinary imaginative richness. In film I loved Bergman's Persona, and never fully understood those who dismissed the film with - it's so obvious the nurse and the actress are becoming the same; that's not the point; it's about how relationships change and mould us so that we form new rigidities of character with new people, and form identities shaped within that relationship such that two people can almost become symmetrical. And in teen years in poetry, I loved Browning's dramatic personae and Donne's satirical and romantic masks as urbane parasite or meta-physician to a dawning relationship - their musings on desire and being desired.
I also have a strong taste for satire - this year I have been reading and re-reading the major works of Swift, some poems of Gay and the Musil's The Man without Qualities ('TMWQ'). Each takes it as given that the singular authority of the self does not exist in a fixed state, but rather various drives towards power and greatness, or love and desire, shape the outward forms of ourselves.
In TMWQ, there is Moosbrugger, the serial killer who may lack the neccessary mens rea to have murdered so often; he in turn raises questions about the persistence of intentionality in man; for instance about the philosopher-businessman Arnheim who is by turns lover, industrialist, intellectual, hidden oil-man, military propagandist and peacemaker. The incompleteness of these personalities raises larger questions about history - about how the first world war could have come about when noone anticipated it, and noone intended destruction on that scale.
Thus the masked dimension of our personality calls into question the very stability of society and civilisation; that the humanist mask of authority we all present is not just a fashion and a phase that will eventually go the way of the Roman empire. After all, post-Renaissance European-style civilisation has only been around for what 600-700 years, and the Romans managed a similar slice of time.
For now I am content to develop my long-held dream of being a solicitor. An ancient profession - acting to structure people's relationships and dealings in a way that will ensure long term stability - in a way it is the craft of making acceptable terms on which people of different wants can continue, hopefully maintaining peaceful masks all the way through their relationship.
For some, the mask is associated with the Carnival. By putting on a mask, the carnival-goer sheds his inhibitions and comes into greater unity with his tribal or animal side. For example in Walcott's 'Mass Man', a clerk becomes a great lion; within a "gold-wired peacock", a man; Boysie with mangoes on his chest is Cleopatra! The mask thus serves to transform and reveal an alternative side of our being. Halloween, with its emphasis on witchery and supernatural beings, is perhaps the most recognised white/Western version of this.
For others of a more saturnine character, a mask is a means of social control, of displaying authority in new forms. The fun playful side is the Venetian style masked-ball, which is contiguous with the previous version of masks. But the darker side is the mask of authority, of officialdom: - the teacher who disciplines his students; the policeman who kettles the protestor; the lawyer who stops illegal downloading; the neighbour who, needing a good night's sleep, asks for the party to be shut down. Maybe each of these figures has some empathy with the forces of revelry and freedom; none wants to attract resentment; but each recognises the greater loss that comes with encroachments on civility and order in the public domain. Suppressing their fun-loving side, they impose restraint.
I've recently become fascinated by the theme of masks. I am currently acting with a drama club - something new to me. Unlike my fellow English students at Catz, many of whom were somehow involved in drama, I was never drawn to the stage at Oxford - it didn't chime with my sense of self. This self always sought authenticity in people. It is this same reverence for truth and accuracy that has drawn me to the profession of the law. But in my role as tutor I have come to see that professionalism entails wearing a mask. Sometimes to act in the best interests of my tutees I cannot show them my honest feelings - of anger and disappointment - or must do so only by flashes of lightning that wake them up - and then control those emotions so as to steer them towards a successful course of action. And in applying to become a solicitor, promoting myself as a solicitor, I always found it difficult walking that line between being myself and selling myself as an accomplished professional with whom clients will want to work. I have found participating in the club useful for welding together these sides of my persona.
In the process I have come to realise that any person of ambitions must try on numerous masks before they succeed in life. It is part of growing up. Infants play at fort-da - will mummy pick up my bottle if I push it off? In doing so they take authority of their needs over their carers, and initiate that great process of command-control that ripples throughout our lives in a range of situations where the hierarchy or horizontal relationship between two people is being established. The teenager muses on their future - and plays at being a lover, a public-speaker, a writer, a party animal, a sportsman - each with their own narratives and rules of command-control. The profit-motive instantiates a relationship of procurer and provider: the procurer says I want this and the provider says - of course your wish is my command; the provider must forbear and suppress any rebellious feelings they may have to satisfy the needs of the procurer and obtain their money. In an ideal employment environment, people would move into those jobs which cause them most pleasure and least suppression into a mask; but numerous discussions with friends and familiars shows that this is not always possible, and many end up in jobs they despise and careers they hate. I have made the utmost endeavours to avoid this situation for myself but it has come at some cost to other aspects of my life.
Indeed throughout my life I have tried on masks. My oldest brother made it a habit of his in my pre-teens to make up a seemingly infinite and inescapable variety of names for me (he mellowed as he got older, and I later saw that this obsession of his was a strange sort of brotherly love). Each corresponded with a different aspect of my being; the moment I transcended one flawed vision of myself, he would make up an account for another. It was carnival for him, but somewhere between a strange dream and a nightmare for me. It drove me to excel intellectually, to outmanoeuver others with the quickness and variety of my thoughts, to escape entrapment in a narrow form of thinking. But it came at some cost to my self esteem in other areas of my life. With such bewildering belittlement it could be hard to see myself as having a singular authority. Rather the forms of authority within me existed on a contingent basis in conversations with friends, family, and other familiars, and in my academic achievement.
In my literary, musical and cinematic tastes, I have always had a taste for personae. My brother also introduced me to the joys of underground hiphop. Having been hooked on Eminem, I came to see that there was a whole tradition of adopting personae within hiphop that led to an extraordinary imaginative richness. In film I loved Bergman's Persona, and never fully understood those who dismissed the film with - it's so obvious the nurse and the actress are becoming the same; that's not the point; it's about how relationships change and mould us so that we form new rigidities of character with new people, and form identities shaped within that relationship such that two people can almost become symmetrical. And in teen years in poetry, I loved Browning's dramatic personae and Donne's satirical and romantic masks as urbane parasite or meta-physician to a dawning relationship - their musings on desire and being desired.
I also have a strong taste for satire - this year I have been reading and re-reading the major works of Swift, some poems of Gay and the Musil's The Man without Qualities ('TMWQ'). Each takes it as given that the singular authority of the self does not exist in a fixed state, but rather various drives towards power and greatness, or love and desire, shape the outward forms of ourselves.
In TMWQ, there is Moosbrugger, the serial killer who may lack the neccessary mens rea to have murdered so often; he in turn raises questions about the persistence of intentionality in man; for instance about the philosopher-businessman Arnheim who is by turns lover, industrialist, intellectual, hidden oil-man, military propagandist and peacemaker. The incompleteness of these personalities raises larger questions about history - about how the first world war could have come about when noone anticipated it, and noone intended destruction on that scale.
Thus the masked dimension of our personality calls into question the very stability of society and civilisation; that the humanist mask of authority we all present is not just a fashion and a phase that will eventually go the way of the Roman empire. After all, post-Renaissance European-style civilisation has only been around for what 600-700 years, and the Romans managed a similar slice of time.
For now I am content to develop my long-held dream of being a solicitor. An ancient profession - acting to structure people's relationships and dealings in a way that will ensure long term stability - in a way it is the craft of making acceptable terms on which people of different wants can continue, hopefully maintaining peaceful masks all the way through their relationship.
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